PEER REVIEW: THE NATIONAL @ LUPOS, TUESDAY 6.4.13
PHOTOS BY BETH FREEMAN There is a new-shown confidence in how Matt Berninger address his microphone, in how Aaron and Bryce Dessner take mirrored guitar solos, even in how Scott alternates from bass...
View ArticleMATTHEW RITCHIE: ART IN ACTION
photo from icaboston.org The time remaining on Matthew Ritchie’s 18-month interdisciplinary artist residency, Remanence, at the ICA is slowly ticking, so a group of lil’ celebs are stopping by for a...
View ArticleGETTING EXPERIMENTAL WITH BUKE AND GASE
Buke and Gase are getting experimental. For a band whose very title stems from their nom-de-guerre instruments—buke (bass + ukulele) and gase (guitar + bass)—that’s saying something. Brooklyn DIY...
View ArticleRUN FOR COVER: PERFUME GENIUS VS. THE NATIONAL: “LEARNING”
Run For Cover is a weekly music column comparing cover songs to the original version. Prepare for a major bending of rules as we hear musicians throw around genres, tempos, style, and intent. Whether...
View ArticlePERFUME GENIUS VS. THE NATIONAL: “LEARNING”
The National keep the same atmosphere present and repeat it as an echo, letting their vocals and spaced guitar offer a hug to Perfume Genius, albeit several years later
View ArticleGETTING EXPERIMENTAL WITH BUKE AND GASE
Brooklyn DIY multi-instrumentalists Arone Dyer and Aron Sanchez are gearing up for their third full-length, but being such a musical tour de force, the path to get there is more crooked than ever.
View ArticleREVIEW: THE LONG COUNT/THE LONG GAME AT THE INSTITUTE OF CONTEMPORARY ART
The experience was immersive. It expanded the world and left it that way, bowing as if to say, “This space is yours now. Add to the sound.”
View ArticleREVIEW: THE LONG COUNT/THE LONG GAME AT THE INSTITUTE OF CONTEMPORARY ART
The experience was immersive. It expanded the world and left it that way, bowing as if to say, “This space is yours now. Add to the sound.”
View ArticleREVIEW: THE LONG COUNT/THE LONG GAME AT THE INSTITUTE OF CONTEMPORARY ART
The experience was immersive. It expanded the world and left it that way, bowing as if to say, “This space is yours now. Add to the sound.”
View ArticleREVIEW: THE LONG COUNT/THE LONG GAME AT THE INSTITUTE OF CONTEMPORARY ART
The experience was immersive. It expanded the world and left it that way, bowing as if to say, “This space is yours now. Add to the sound.”
View ArticleFOTOBOM: THE NATIONAL @ AGGANIS ARENA
I said it when I last caught up with The National, headlining two nights at a New York City festival of their own curation last year, and it bears repeating now: it’s still a little weird for this...
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